Bruce Wall Posted June 16, 2016 Share Posted June 16, 2016 Source Must say I'm surprised at a return to the Royal Festival Hall as I never, myself, thought it was the most optimum venue for ballet - although I certainly saw many LFB performances there. Tickets go on sale tomorrow. 3 Link to comment Share on other sites More sharing options...
LinMM Posted June 16, 2016 Share Posted June 16, 2016 That looks like a great triple bill at the Wells!! Yes Festival Hall not the ideal place but I noticed this will be in August (2017) perhaps only place they could get? Many many years ago when still Festival Ballet I used to dress for the Company and I seem to remember Festival Hall being a bit of a nightmare!! 1 Link to comment Share on other sites More sharing options...
Bluebird Posted June 16, 2016 Share Posted June 16, 2016 (edited) Source Must say I'm surprised at a return to the Royal Festival Hall as I never, myself, thought it was the most optimum venue for ballet - although I certainly saw many LFB performances there. Tickets go on sale tomorrow. The tickets for Romeo and Juliet at the Royal Festival Hall don't go on sale till next week, June 21 for Friends of ENB and June 22 for general public booking. Tomorrow's booking date is only for Friends of ENB to book events and also to purchase tickets for My First Cinderella in venues other than the Peacock Theatre. Edited June 16, 2016 by Bluebird Link to comment Share on other sites More sharing options...
alison Posted June 16, 2016 Share Posted June 16, 2016 Weren't backstage facilities improved during the renovations, though? I seem to remember going on a backstage tour last century(!) and hearing that they had only 8 showers, I think it was? I must admit, I too am surprised at the return to the RFH, but perhaps there's a reason? What will the situation be at the Royal Opera House next summer? Will any visiting company have grabbed the Coliseum already, for example? I was thinking, when I read reviews of the Ashton R&J on the Links page the other day, of how well suited *that* production was to the RFH. Would have loved to have seen *that* one back. But it's a big anniversary for the Nureyev production, too. Link to comment Share on other sites More sharing options...
Bruce Wall Posted June 16, 2016 Author Share Posted June 16, 2016 (edited) Weren't backstage facilities improved during the renovations, though? I seem to remember going on a backstage tour last century(!) and hearing that they had only 8 showers, I think it was? I must admit, I too am surprised at the return to the RFH, but perhaps there's a reason? What will the situation be at the Royal Opera House next summer? Will any visiting company have grabbed the Coliseum already, for example? I was thinking, when I read reviews of the Ashton R&J on the Links page the other day, of how well suited *that* production was to the RFH. Would have loved to have seen *that* one back. But it's a big anniversary for the Nureyev production, too. I believe the Coliseum will be rented out next summer (for a full 15 week period) to a commercial entity/ies for £120,000 a week. At least that is what I believe I read when the 2016/17 ENO Season Announcement was made. I doubt any ballet companies will be taking up that offer somehow. I believe it has been rumoured (even hereabouts) that the Mariinsky may well be visiting the ROH next summer. I too would love to see the current wonderful ENB company do the Ashton - but I suspect the Company's rights to that left LFB/ENB when Schaufuss departed as AD. (I well remember that revival Schaufuss did at the Coliseum with Osipova/Vasiliev and a very youthful Lendorf.) Edited June 16, 2016 by Bruce Wall Link to comment Share on other sites More sharing options...
Beryl H Posted June 17, 2016 Share Posted June 17, 2016 What a surprise, I really used to like going to see LFB at the Festival Hall ages ago, there was always a happy easy-going atmosphere which was completely different to the ROH, it was wonderful to come out and walk across the river to Embankment tube station and a quick ride to Victoria, and what a marvellous view from the terraces, the problem is I don't like Romeo and Juliet, still it is Nureyev's so I'll go once at least, I believe the stage is bigger and conditions much improved. Wonder if the prices will be as relatively cheap as they used to be, I fear not. 1 Link to comment Share on other sites More sharing options...
A frog Posted June 17, 2016 Share Posted June 17, 2016 . Wonder if the prices will be as relatively cheap as they used to be, I fear not. I don't know what it used to be, but top price here will apparently be £55, even cheaper than the modern bill at SW Link to comment Share on other sites More sharing options...
Anna C Posted June 17, 2016 Share Posted June 17, 2016 What a surprise, I really used to like going to see LFB at the Festival Hall ages ago, there was always a happy easy-going atmosphere which was completely different to the ROH, it was wonderful to come out and walk across the river to Embankment tube station and a quick ride to Victoria, and what a marvellous view from the terraces, the problem is I don't like Romeo and Juliet, still it is Nureyev's so I'll go once at least, I believe the stage is bigger and conditions much improved. Wonder if the prices will be as relatively cheap as they used to be, I fear not. I'm the opposite, R&J is one of my favourite ballets and I've not yet managed to see ENB dance Nureyev's version, so I'm thrilled. I'll have to hope there are taxis nearby for afterwards though. :-) Link to comment Share on other sites More sharing options...
LinMM Posted June 17, 2016 Share Posted June 17, 2016 At the back of the Hall ( Waterloo side as opposed to riverside) the taxis practically pull up right outside! At least they used to!! There was a time when I used Waterloo station a lot so knew all round there quite well especially as I worked as an usher at Festival Hall for two years ....but in more recent times tend to use Victoria so a while since been round the back there but I'm sure it's pretty similar. 1 Link to comment Share on other sites More sharing options...
Duck Posted June 18, 2016 Share Posted June 18, 2016 If the top-price ticket is indeed £55, go for it Tickets for R&J at POB in spring were up to almost twice as much! Link to comment Share on other sites More sharing options...
capybara Posted June 18, 2016 Share Posted June 18, 2016 If the top-price ticket is indeed £55, go for it Tickets for R&J at POB in spring were up to almost twice as much! And, on the basis of a recent sighting of POB, ENB will dance it better. Link to comment Share on other sites More sharing options...
MAX Posted June 18, 2016 Share Posted June 18, 2016 Some french balletomanes on Dansomanie think that ENB is not the kind of company we should expect to see at Palais Garnier. They think that the corps de ballet is quite weak, for them the real interest is Rojo and Cojocaru, for them the international level of the company is clearly not there yet. So let's wait and see... ENB has a lot to do to conquer Paris next week. Link to comment Share on other sites More sharing options...
capybara Posted June 18, 2016 Share Posted June 18, 2016 (edited) Some french balletomanes on Dansomanie think that ENB is not the kind of company we should expect to see at Palais Garnier. They think that the corps de ballet is quite weak, for them the real interest is Rojo and Cojocaru, for them the international level of the company is clearly not there yet. So let's wait and see... ENB has a lot to do to conquer Paris next week. What is the basis of their prior judgement, MAX? Please could you provide a link? I cannot find my way around Dansomanie. Edited June 18, 2016 by capybara Link to comment Share on other sites More sharing options...
MAX Posted June 18, 2016 Share Posted June 18, 2016 (edited) Those balletomanes speak about Le corsaire being very kitsch, yet they notice as well that ENB's production is far more new than the one of ABT. But even if the soloists are good they think the company will suffer from the comparison with big international companies. It appears that the Ballet de l'Opéra de Vienne came a few years ago in Paris in the Festival Les étés de la danse and that it was too soon after only a few seasons under Manuel Legris management. They compare that invitation with the one of ENB this season. One person notes that the male principals hired by Tamara Rojo have muscles in common but are not very light and lyrical except Isaac Hernandez. For this person Cesar Corrales, even if he is not a principal, is the most spectacular recruit. Among the ladies we find the names of Shiori Kase, Lauretta Summerscales, Ksenia O. among the ones to watch during the parisian week. Edited June 18, 2016 by MAX Link to comment Share on other sites More sharing options...
MAX Posted June 18, 2016 Share Posted June 18, 2016 (edited) yes capybara on their website click on www.forum-dansomanie.net then click on Tout sur la danse then Nouvelles de l'English National Ballet and it's on page 20 it's true that with all the "annonce" and post it you have to scroll down a lot, not very logical... Edited June 18, 2016 by MAX Link to comment Share on other sites More sharing options...
Scheherezade Posted June 18, 2016 Share Posted June 18, 2016 What is the basis of their prior judgement, MAX? Something as reasoned, perhaps, as the judgement predictably expressed by Nikolai Tsiskaridze that only the Russians and French were capable of dancing classical ballet? 1 Link to comment Share on other sites More sharing options...
capybara Posted June 18, 2016 Share Posted June 18, 2016 Thank you MAX. I've found it and read it now. I hope that the Parisians (and the tourists who also pack the Palais Garnier) will be pleasantly surprised. 1 Link to comment Share on other sites More sharing options...
Bluebird Posted June 18, 2016 Share Posted June 18, 2016 yes capybara on their website click on www.forum-dansomanie.net then click on Tout sur la danse then Nouvelles de l'English National Ballet and it's on page 20 Here's the link to the beginning of the discussion. You'll need to scroll down past the comments on the Emerging Dancer http://www.forum-dansomanie.net/forum/viewtopic.php?t=3172&postdays=0&postorder=asc&start=285 1 Link to comment Share on other sites More sharing options...
Jan McNulty Posted October 26, 2016 Share Posted October 26, 2016 English National Ballet 2017 Spring/Summer Season English National Ballet becomes the first UK company to perform Pina Bausch’s The Rite of Spring. Part of a triple bill that also includes works from William Forsythe and Hans van Manen, presented at Sadler’s Wells in spring 2017. Rudolf Nureyev’s Romeo & Juliet returns to London with performances at Southbank Centre’s Royal Festival Hall in August 2017. First time English National Ballet has performed at Royal Festival Hall in almost a decade. In March 2017 English National Ballet presents Pina Bausch’s masterpiece The Rite of Spring at Sadler’s Wells, becoming only the second Company in the world beyond Tanztheater Wuppertal, and the only UK Company to perform the work. The programme also includes William Forsythe’s In the Middle, Somewhat Elevated and Adagio Hammerklavier by Hans van Manen. Artistic Director of English National Ballet, Tamara Rojo said: “Pina Bausch was an incredible artist, and remains one of the most influential people in modern culture today. Her work transcends description; it affects you on a deep emotional level, speaking to your spirit and defying logical analysis. Pina’s Rite of Spring is of great significance, and it gives me so much joy that English National Ballet becomes only the second ballet Company in the world, and the only UK Company to be entrusted to perform the work. I’m proud to present it alongside masterpieces from William Forsythe and Hans van Manen, and I am truly honoured and humbled to be able to perform these works to audiences at Sadler’s Wells in 2017.” Salomon Bausch, Chairman of the Board of Trustees and Executive Director of the Pina Bausch Foundation said: “We are very much looking forward to working with Tamara Rojo and her remarkable company. It is going to be a new experience not only for the dancers but vice versa for the piece, which is going to have a new home in London.” During 36 years as Artistic Director of Tanztheater Wuppertal, Pina Bausch nurtured an ensemble of vivid imagination and grand scale and developed an artistic canon renowned for its diverse cultural influences and rich visual style. The Rite of Spring is regarded as one of her most revered works. This triple bill sees another work new to English National Ballet’s repertoire, Adagio Hammerklavier choreographed by “one of the great masters” (the Guardian) Hans van Manen, set to Beethoven’s Piano Sonata No 29, Op 106. Alongside this is William Forsythe’s In the Middle, Somewhat Elevated, first performed by the Company in 2015. Returning for its eighth year in Spring 2017 is English National Ballet’s Emerging Dancer competition. Over the years Emerging Dancer has grown significantly in popularity, and last season saw Cesar Corrales awarded both the Emerging Dancer and People’s Choice Awards in front of an audience of over 2,000 people at the London Palladium and over 10,000 people online via a livestream. Offering not only the opportunity to shine a light on the younger talent within the company, Emerging Dancer also allows mentoring partnerships for the finalists, as well as recognising the exceptional talent of an Artist of the Company that has gone above and beyond the call of duty, with the Corps de Ballet award. Summer 2017 sees English National Ballet return to Southbank Centre’s Royal Festival Hall for the first time since 2008, when it presents Rudolf Nureyev’s Romeo & Juliet there in August 2017. The world’s greatest love story, Romeo & Juliet features inventive, passionate choreography set to Prokofiev’s score, performed live by the English National Ballet Philharmonic. This production, “the most deeply romantic of all versions” (Sunday Express), sees audiences transported to Renaissance Verona, with lavish sets and costumes. Originally created by Nureyev in 1977 to celebrate the Queen’s Silver Jubilee, English National Ballet recently performed it on its national tour to critical acclaim. Notes to Editors English National Ballet’s 2016/2017 Listings information Giselle by Akram Khan Sadler’s Wells, London 15 – 19 November Tickets: £12 - £45 Box office: www.ballet.org.uk/akram-khan-giselle or 020 7863 8000 Nutcracker Milton Keynes Theatre23 – 26 November 2016Tickets: £10.75 - £45.25Box office: www.ballet.org.uk/nutcracker Nutcracker Liverpool Empire29 November – 3 December 2016 Tickets: £10.75 - £40.25Box office: www.ballet.org.uk/nutcracker Nutcracker London Coliseum 14 December 2016 – 7 January 2017 Tickets: £14 - £79Box office: www.ballet.org.uk/nutcracker Giselle by Mary Skeaping London Coliseum 11 - 22 January 2017Tickets: £14 - £79Box office: www.ballet.org.uk/giselle Pina Bausch / William Forsythe / Hans van Manen Sadler’s Wells 23 March - 1 April 2017Tickets on sale November 2016For more information see: www.ballet.org.uk/bausch-forsythe-van-manen Emerging Dancer Venue and Date TBCFor more information see: www.ballet.org.uk/emergingdancer My First Ballet: Cinderella Orchard Theatre, Dartford6 - 8 April 2017Box Office: or www.ballet.org.uk/myfirstballet Tickets: £15 - £20 My First Ballet: Cinderella Peacock Theatre, London11 - 22 April 2017Box Office: or www.ballet.org.uk/myfirstballet Tickets: £10 - £25 My First Ballet: Cinderella New Theatre, Oxford28 & 29 April 2017Box Office: or www.ballet.org.uk/myfirstballet Tickets: £11.50 - £26.50 My First Ballet: Cinderella Liverpool Empire5 & 6 May 2017Box Office: or www.ballet.org.uk/myfirstballet Tickets: £11.50 - £26.50 My First Ballet: Cinderella New Wimbledon Theatre13 & 14 May 2017Box Office: or www.ballet.org.uk/myfirstballet Tickets: £11.50 - £26.50 My First Ballet: Cinderella Bristol Hippodrome20 & 21 May 2017Box Office: or www.ballet.org.uk/myfirstballet Tickets: £11.50 - £26.50 My First Ballet: Cinderella New Victoria Theatre, Woking26 & 27 May 2017Box Office: or www.ballet.org.uk/myfirstballet Tickets: £11.50 - £26.50 Romeo & Juliet Southbank Centre’s Royal Festival Hall 1 - 5 August 2017Box Office: or www.ballet.org.uk/romeoandjuliet Tickets: £12 - £55 About English National Ballet English National Ballet has a long and distinguished history. Founded in 1950 as London Festival Ballet by the great English Dancers Alicia Markova and Anton Dolin, it has played a major role in the growth and history of ballet in the UK. Today, English National Ballet is renowned for taking world-class ballet to the widest possible audience through its national and international tour programme, offsite performances at festivals including Glastonbury and Latitude, its distinguished orchestra English National Ballet Philharmonic, and being a UK leader in creative learning and engagement practice and delivery, building innovative partnerships to deliver flagship programmes such as English National Ballet’s Dance for Parkinson’s. Under the artistic directorship of Tamara Rojo, English National Ballet has gained new acclaim as it introduces innovative new works to the Company’s repertoire while continuing to honour and reinvigorate traditional ballet. English National Ballet is an Associate Company of Sadler’s Wells. Giselle by Akram Khan is supported using public funding by the National Lottery through Arts Council England. 1 Link to comment Share on other sites More sharing options...
Bluebird Posted March 15, 2017 Share Posted March 15, 2017 (edited) Casting has been announced for the Bausch/Forsythe/Van Manen Triple Bill at Sadler's Wells: In the Middle, Somewhat Elevated Thursday 23 March 2017Laurretta Summerscales, James Streeter, Tiffany Hedman,TBC, Cesar Corrales, Crystal Costa, Isaac HernándezMadison Keesler, Sarah Kundi. Friday 24 March 2017 Laurretta Summerscales, James Streeter, Tiffany Hedman,TBC, Cesar Corrales, Crystal Costa, Isaac HernándezMadison Keesler, Sarah Kundi. Saturday 25 March 2017 Tiffany Hedman, Isaac Hernández, Alison McWhinneyLaurretta Summerscales, Fernando Bufalá, Rina Kanehara, Barry DrummondAnjuli Hudson, Jung ah Choi. Sunday 26 March 2017 (4pm) Tiffany Hedman, Isaac Hernández, Alison McWhinneyPrecious Adams, Cesar Corrales, Madison Keesler, Fernando BufaláAnjuli Hudson, Jung ah Choi. Tuesday 28 March 2017 Laurretta Summerscales, James Streeter, Tiffany HedmanPrecious Adams, Cesar Corrales, Madison Keesler, Fernando BufaláAnjuli Hudson, Jung ah Choi. Wednesday 29 March 2017 Tiffany Hedman, Isaac Hernández, Alison McWhinneyLaurretta Summerscales, Fernando Bufalá, Rina Kanehara, Barry DrummondAmber Hunt, Sarah Kundi. Thursday 30 March 2017 Laurretta Summerscales, James Streeter, Alison McWhinneyPrecious Adams, Cesar Corrales, Crystal Costa, Barry DrummondMadison Keesler, Sarah Kundi. Friday 31 March 2017 Tiffany Hedman, Isaac Hernández, Alison McWhinneyPrecious Adams, Cesar Corrales, Rina Kanehara, Fernando BufaláAmber Hunt, Sarah Kundi. Saturday 1 April 2017 Laurretta Summerscales, James Streeter, Tiffany HedmanTBC, Cesar Corrales, Crystal Costa, Barry DrummondMadison Keesler, Sarah Kundi. Adagio Hammerklavier Thursday 23 March 2017 (Press night)Fernanda Oliveira and James ForbatLaurretta Summerscales and Fabian ReimairTamara Rojo and Isaac Hernández Friday 24 March 2017 Fernanda Oliveira and James ForbatLaurretta Summerscales and Fabian ReimairTamara Rojo and Isaac Hernández Saturday 25 March 2017Katja Khaniukova and Fernando BufaláAlison McWhinney and Aitor ArrietaLaurretta Summerscales and Emilio Pavan Sunday 26 March 2017 Katja Khaniukova and Fernando BufaláAlison McWhinney and Aitor ArrietaLaurretta Summerscales and Emilio Pavan Tuesday 28 March 2017 Fernanda Oliveira and James ForbatLaurretta Summerscales and Fabian ReimairTamara Rojo and Isaac Hernández Wednesday 29 March 2017 Katja Khaniukova and Fernando BufaláSenri Kou and Ken SaruhashiLaurretta Summerscales and Emilio Pavan Thursday 30 March 2017 Tiffany Hedman and Cesar CorralesAlison McWhinney and Aitor ArrietaLaurretta Summerscales and Emilio Pavan Friday 31 March 2017 Fernanda Oliveira and James ForbatLaurretta Summerscales and Fabian ReimairTamara Rojo and Isaac Hernández Saturday 1 April 2017 Fernanda Oliveira and James ForbatLaurretta Summerscales and Fabian ReimairTamara Rojo and Isaac Hernández Le Sacre du printemps (The Rite of Spring) TBC http://www.ballet.org.uk/whats-on/bausch-forsythe-van-manen/ Edited March 15, 2017 by Bluebird 1 Link to comment Share on other sites More sharing options...
capybara Posted March 15, 2017 Share Posted March 15, 2017 Apologies. I started a new thread for the casting for the upcoming Triple Bill without realising that it was on this one. [Mod's note: moved to this thread from the ENB 17/18 season announcement thread.] Link to comment Share on other sites More sharing options...
Bluebird Posted March 15, 2017 Share Posted March 15, 2017 Apologies. I started a new thread for the casting for the upcoming Triple Bill without realising that it was on this one. Actually, Capybara, I'm the one in the wrong. I've posted the casting in the thread for the new season. That's definitely the wrong place for it! Maybe a moderator could put that right? [Mod's note: moved to this thread from the ENB 17/18 season announcement thread.] Link to comment Share on other sites More sharing options...
capybara Posted March 15, 2017 Share Posted March 15, 2017 Thank you, Bluebird! I don't understand why the thread I opened has been locked, however. [Mod's note: moved to this thread from the ENB 17/18 season announcement thread.] Link to comment Share on other sites More sharing options...
capybara Posted March 16, 2017 Share Posted March 16, 2017 With regard to casting for ENB's Triple Bill at SW 23 March - 1st April, the TBCs shown above are now given as Precious Adams on ENB's website. Really nice to see her getting the chance to dance a featured role. 5 Link to comment Share on other sites More sharing options...
alison Posted March 20, 2017 Share Posted March 20, 2017 Presumably not for Sacre, though? Link to comment Share on other sites More sharing options...
annamicro Posted March 20, 2017 Share Posted March 20, 2017 (edited) Presumably not for Sacre, though? I heard there is a tradition in Bausch Sacre to choose "the Chosen one" on the day of the performance (among few already chosen of course) Edited March 20, 2017 by annamicro 1 Link to comment Share on other sites More sharing options...
Sim Posted March 20, 2017 Share Posted March 20, 2017 I was once told that she is chosen during the performance: there are two or three potential Chosen Ones on the stage, and whichever one is handed the red dress is the CM for that performance. I would love to think that is true, but I don't know whether it is or not!! Link to comment Share on other sites More sharing options...
alison Posted March 20, 2017 Share Posted March 20, 2017 Do we know the running order/times for this one, BTW? I'm assuming that Sacre would probably be last given the clearing up afterwards which must be required. Oh, and is Adagio Hammerklavier the one in the vertically striped blue/green and black unitards? Link to comment Share on other sites More sharing options...
A frog Posted March 20, 2017 Share Posted March 20, 2017 I was once told that she is chosen during the performance: there are two or three potential Chosen Ones on the stage, and whichever one is handed the red dress is the CM for that performance. I would love to think that is true, but I don't know whether it is or not!! I'll have to see if I still have the cast sheets, but when the POB did it a little over a year ago, I'm pretty sure I saw the same dancer as CM in the two performances I went to. It of course could mean that she was randomly picked twice but I assume it means it was her part. Link to comment Share on other sites More sharing options...
capybara Posted March 21, 2017 Share Posted March 21, 2017 More than 40 tickets now available in the Stalls for the Thursday 30th March performance of the Triple Bill. Link to comment Share on other sites More sharing options...
MAB Posted March 21, 2017 Share Posted March 21, 2017 Oh, and is Adagio Hammerklavier the one in the vertically striped blue/green and black unitards? No. Pale blue dresses for the women, white tights and bare chests for the men. Link to comment Share on other sites More sharing options...
alison Posted March 21, 2017 Share Posted March 21, 2017 Oh, that one Did ENB do it at Richmond Theatre a few years ago? Link to comment Share on other sites More sharing options...
annamicro Posted March 23, 2017 Share Posted March 23, 2017 Casting has been announced for the Bausch/Forsythe/Van Manen Triple Bill at Sadler's Wells: In the Middle, Somewhat Elevated Thursday 23 March 2017 Laurretta Summerscales, James Streeter, Tiffany Hedman, TBC, Cesar Corrales, Crystal Costa, Isaac Hernández Madison Keesler, Sarah Kundi. Friday 24 March 2017 Laurretta Summerscales, James Streeter, Tiffany Hedman, TBC, Cesar Corrales, Crystal Costa, Isaac Hernández Madison Keesler, Sarah Kundi. Saturday 25 March 2017 Tiffany Hedman, Isaac Hernández, Alison McWhinney Laurretta Summerscales, Fernando Bufalá, Rina Kanehara, Barry Drummond Anjuli Hudson, Jung ah Choi. Sunday 26 March 2017 (4pm) Tiffany Hedman, Isaac Hernández, Alison McWhinney Precious Adams, Cesar Corrales, Madison Keesler, Fernando Bufalá Anjuli Hudson, Jung ah Choi. Tuesday 28 March 2017 Laurretta Summerscales, James Streeter, Tiffany Hedman Precious Adams, Cesar Corrales, Madison Keesler, Fernando Bufalá Anjuli Hudson, Jung ah Choi. Wednesday 29 March 2017 Tiffany Hedman, Isaac Hernández, Alison McWhinney Laurretta Summerscales, Fernando Bufalá, Rina Kanehara, Barry Drummond Amber Hunt, Sarah Kundi. Thursday 30 March 2017 Laurretta Summerscales, James Streeter, Alison McWhinney Precious Adams, Cesar Corrales, Crystal Costa, Barry Drummond Madison Keesler, Sarah Kundi. Friday 31 March 2017 Tiffany Hedman, Isaac Hernández, Alison McWhinney Precious Adams, Cesar Corrales, Rina Kanehara, Fernando Bufalá Amber Hunt, Sarah Kundi. Saturday 1 April 2017 Laurretta Summerscales, James Streeter, Tiffany Hedman TBC, Cesar Corrales, Crystal Costa, Barry Drummond Madison Keesler, Sarah Kundi. Adagio Hammerklavier Thursday 23 March 2017 (Press night) Fernanda Oliveira and James Forbat Laurretta Summerscales and Fabian Reimair Tamara Rojo and Isaac Hernández Friday 24 March 2017 Fernanda Oliveira and James Forbat Laurretta Summerscales and Fabian Reimair Tamara Rojo and Isaac Hernández Saturday 25 March 2017 Katja Khaniukova and Fernando Bufalá Alison McWhinney and Aitor Arrieta Laurretta Summerscales and Emilio Pavan Sunday 26 March 2017 Katja Khaniukova and Fernando Bufalá Alison McWhinney and Aitor Arrieta Laurretta Summerscales and Emilio Pavan Tuesday 28 March 2017 Fernanda Oliveira and James Forbat Laurretta Summerscales and Fabian Reimair Tamara Rojo and Isaac Hernández Wednesday 29 March 2017 Katja Khaniukova and Fernando Bufalá Senri Kou and Ken Saruhashi Laurretta Summerscales and Emilio Pavan Thursday 30 March 2017 Tiffany Hedman and Cesar Corrales Alison McWhinney and Aitor Arrieta Laurretta Summerscales and Emilio Pavan Friday 31 March 2017 Fernanda Oliveira and James Forbat Laurretta Summerscales and Fabian Reimair Tamara Rojo and Isaac Hernández Saturday 1 April 2017 Fernanda Oliveira and James Forbat Laurretta Summerscales and Fabian Reimair Tamara Rojo and Isaac Hernández Le Sacre du printemps (The Rite of Spring) TBC http://www.ballet.org.uk/whats-on/bausch-forsythe-van-manen/ The Chosen One for Le Sacre first night is Francesca Velicu Link to comment Share on other sites More sharing options...
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